Opposite the Old Campus, on Chapel Street, in New Haven, Connecticut: from when the glaciers melted, stewarded by the Quinnipiac people; in 1614, charted by a Dutch explorer; in 1638, colonized by Puritans; before, during, and after the American Revolution, home of the Founding Father, Roger Sherman, his wife Rebekah, their fifteen children, and the Sherman family store; in 1860, Gaius F. Warner's Italianate villa, by Henry Austin; in 1880, Carll's Opera House; in 1884, the Republican League; in 1887, the Hyperion; in 1903, the Union League Club, by Richard Williams; in 1926, the Roger Sherman Theater; beginning in 1977, a tradition of French fine dining, which continues today. While the Roger Sherman house is no longer standing, it holds up all right.
"The New Haven home of Roger Sherman — signer of the Bill of Rights, Articles of Confederation, Declaration of Independence, and Constitution of the United States — was drawn by hand for, 'The Commonwealth of Connecticut, Tercentenary Edition, 1635 - 1935,' by Amy Drevenstedt, 'published for your entertainment and enlightenment by the Children's Bookshop of 33 Wall Street, New Haven.'"
"We found that the ideal way to spend the evening in New Haven was to sit out on the Green. There were other things to do, of course, and we noted that moving pictures appeared to be patronized here as elsewhere. But it was the Green for us, and for many more. The fragrant June night had collected a few early fireflies, and was tossing them idly about over the grass, as an Egyptian queen might play with diamonds. The chimes from Trinity sounded, very sweet. Young lovers passed, arm linked close in arm, head to head. A buzzing of motor cars gave the emphasis of a city to the country vision of shadowy trees and open grassy spaces."
"The exhibit was organized by Linda Lindroth, a New Haven photographer and assistant professor at Quinnipiac College, who lives across the street from East Rock. 'This exhibition is the product of a search for new spaces and new relationships within the city to show artwork,' says Lindroth, noting that it is the first time that the historical society has hosted an exhibit by living photographers. In an essay in the exhibition catalogue, Amy L. Trout, curator at the New Haven Colony Historical Society, writes, 'More than geographical features, East and West Rocks are symbols of New Haven. As such, they carry meaning beyond what their physical presence implies.' The Rocks have served as a 'backdrop' in artworks documenting the changes in New Haven over the years, she notes."
"Numerous converging and intersecting railways, extensive manufactures, and a considerable West-India commerce, contribute to the life and wealth of this beautiful city. Its suburbs are adorned with tasteful villas, and afford inviting drives and charming prospects. Of principal interest among its suburban attractions are the crags known as East and West Rocks — two bold and striking bluffs of trap-rock, lifting themselves, in magnificent array of opposition, about four hundred feet out of the plain which skirts the city. Their geological origin was probably some anomalous volcanic convulsion; and their grim heights may have sentinelled, in remote ages of our planet, the flow of the Connecticut River between their august feet to the Sound."
"East Rock is a bold and beautiful promontory of almost fearful height, near the fine city of New Haven, Connecticut. It commands an extensive and delightful view of the town, the adjacent country to some extent, the bay, and Long Island itself, which resembles a huge confused mass of deep summer clouds, as viewed in the edge of the southern horizon apparently floating over the sound."
Roger Sherman house 