"The new Roger Sherman Theatre cost approximately $1,280,000 and is of old Spanish mission style architecture. The decorative scheme is in keeping with the old Spanish style, with rude construction, rough cross beams, rough plaster, tinted and outlining marine figures. The outer lobby is of black marble while from the inner lobby is a broad, sweeping stairway to the balcony and mezzanine floor. Behind the balcony is a spacious lounge, covered by a dimly lighted sky blue arch."
"The Poli lobby and foyer will be opened to the public Sunday afternoon from 12 o'clock, closing at midnight. The occasion will be to give an opportunity to view the magnificent memorial tablet that was presented to S. Z. Poli by the citizens of New Haven, and others representing cities where he maintains playhouses, on the occasion of his twenty-fifth theatrical anniversary."
"THE DECISION by Loews Theaters, New York, to shut down the College Theater in downtown New Haven for the umpteenth time while determining the movie theater's future, points up the markedly winnowing away of what was once a firmly entrenched element in Connecticut entertainment — downtown motion picture theaters. With the closing of the College — its beginnings, as the then Hyperion Theater, go back to the late 19th century — downtown New Haven has only one motion picture theater playing conventional Hollywood product."
"Roosevelt looked calm and purposeful as he traveled through Connecticut on 23 October. The Secret Service, however, was noticeably apprehensive when he reached the Yale campus. In view of what had happened the last time a President had accepted public handshakes, he was forbidden to work the crowd. Shocked by this restriction, Roosevelt seemed to realize his personal and political danger for the first time. He averted his eyes from Washington during their march to Hyperion Theater. A revised security plan seated them far apart, with the Negro in the audience and Roosevelt himself on the stage. No reference to their dinner was made during the ensuing speeches. But cheers filled the hall when Supreme Court Justice David J. Brewer invoked the Father of the Nation and remarked, 'Thank God, there have always been in this country college men able to recognize a true Washington, though his first name be not George.'"
"President Theodore Roosevelt, who was the chief figure of the closing day of Yale's bicentennial celebrations, given an ovation as he receives his honorary degree. He pays a tribute to the sons of old Eli. 'I have never yet worked at a task worth doing that I did not find myself shoulder to shoulder with some son of Yale.'"
"New Haven was never a boom town. It developed slowly, it grew steadily, not spasmodically. Conservatism became characteristic of it. Conservative it has remained until now. All though the nineteenth century, while steadily growing in strength and substance, it never outwardly startled the beholder. Those who really knew the city came to love it for its 'parts' rather than for ostentatious prosperity. It was a city of traditions and history, a city content to have intensive rather than extensive growth was the New Haven which woke on the mourn of its 264th year when it celebrated with Yale the completed two centuries."
"Now then, to me university degrees are unearned finds, and they bring the joy that belongs with property acquired in that way... It pleased me beyond measure when Yale made me a Master of Arts, because I didn't know anything about art; I had another convulsion of pleasure when Yale made me a Doctor of Literature, because I was not competent to doctor anybody's literature but my own, and couldn't even keep my own in a healthy condition without my wife's help."
"New Haven was reached after the greatest handcar race on record. The big, brawny Irishmen worked the cranks like majors, and they got the $200 too. Miss Anderson said it was the most exciting ride she had ever experienced in all her travels around both hemispheres on all sorts of trains and vehicles."
"I had but to walk over to Carll’s Opera House, where in one season or another I might see the great contemporary actors: Booth and Barrett, Irving and Terry, Modjeska or Bernhardt, or Joe Jefferson (a favorite of the students). It may have been in New York that I first saw the elder Salvini in the role of Othello. Was it then or later that Gilbert and Sullivan’s operas came to town? I thank God that the visual age was in the far distance when novels and plays were to be washed out with pictures on a screen."