On Chapel Street, in New Haven, Connecticut, opposite the Old Campus: from the time of glaciation, cultivated by the Quinnipiac; in 1614, charted by a Dutch explorer; in 1638, colonized by the Puritans; throughout the American Revolution, home of the signer, Roger Sherman, his second wife Rebecca Prescott-Sherman, their fifteen children, and the family store; in 1860, industrialist Gaius Fenn Warner's Italianate villa, by Henry Austin; in 1880, Marshal Peter R. Carll's Opera House; in 1884, the Republican League; in 1887, the Hyperion; in 1903, the Union League addition, by Richard Williams; in 1926, the Roger Sherman Theater; beginning in 1976, a tradition of French fine dining, that continues today. While the Roger Sherman house is no longer standing, it holds up all right.
"The history of these signs begins at the corner of College and Chapel, the city's heart. Here, New Haven thrives. Yale's faux-Gothic buildings share sidewalks with the brand name stores that feed off the University's economic power. The New Haven Green and the locally famous Claire's Corner Copia bustle with activity. At the corner, a name famous not only in New Haven, but around the world, presides over the downtown landscape — Bishop Desmond Tutu."
"When I was at Yale, I had a lot of inferiority and insecurity. Growing up meant getting out all those anxieties. You'll find most people who work hard -- make a lot of money -- have a psychological drive that forces them onward and up. I'm no different than anyone else."
"A culture that is primarily visual leaves no trace of its passage. It is unrecordable. Knowing this, it's still possible to get fragments of narratives, to imagine a grander architecture from the imprints of a crumbling building, and to reconstruct a small look at the past -- albeit inevitably colored by the present, by nostalgia and television and regret."